The thing is, I’m okay with winning but I freaking hate
losing. It’s in my nature. I mean like, losing is for losers, that’s in my
mindset. I know that’s not actually true at all, since at times we just lose.
However, in the end of the day, both winning and losing teaches us lessons.
I chose the “Greek Goddess” theme because I’ve always found
the power and the divine figures are just a huge inspiration. The way they are
portrayed with a background, their flaws, their beauty, and just everything
going on with them. It’s mesmerizing to me. I just found greek gods and
goddesses to be wonderful characters that can be implemented artistically
beautifully. Let’s face it, countless artists have preserved art to celebrate
their beauty, one of the artworks that I love wholeheartedly would be “The
Birth of Venus” by Sandro Botticelli.
So, I made quite of an unorthodox choice here, and that is
to shoot only the female characters from greek mythology. Since I knew from the
start I’m only shooting a woman, I wanted to make sure that I have her
perfectly portray what she can portray best, the females, the goddesses. After
a lot of brainstorming and outfit-and-scene-matching, I came up with 10
characters to shoot(originally 12 but we ran out of time). They are:
Persephone
Aphrodite
Demeter
Pandora
Artemis
Athena
Hestia
Hera
Gaia
Nyx
I met Diana Filip, a russian student who was doing
internship in my city(quite of an odd choice there) as a teacher randomly on
instagram. I quickly DM-ed her on instagram and we planned for a shoot on her
last week in Surabaya. Having her around was an amazing experience. She’s one
of the friendliest people I’ve ever known(judging from the fact we only hung
out for like 5 days).
The idea Goddess came along with the fact that I’ve never shot a blonde before legit-ly and I thought it would be awesome to embrace all of those qualities with her divine-structure. Just what I need, the perfect portion of a Goddess.
The shoot all fell to the perfect places as my mom’s
exquisite haute couture brand, Diana Couture, joins the shoot. Just the thought
of those dresses sends chills down my spine, they are just, fantabulous in all
the right places. One second It feels so couture, the second they feel so
sensual, the third they can be so dramatic. All in the same time. I only
planned 6 Goddesses in the beginning, but since all the dresses look so damn
good on Diana, we planned 12 instead.
Along Diana Couture, I recruited my talented aunt and uncle
I’ve never mentioned before from Baroqco Jewelry. They’re a haute couture brand
specializing in exquisite one-of-a-kind jewelry. From the most elegant pieces
to the most bad-ass looks, they all fit the shoot so well. After all the drapes
and the bling, I recruited Surabaya’s top make up artist/hairstylist, Jimmy Himawan.
He is a pleasure to work with, even though the booking was last minute, he
joined the shoot and I just can’t be happier with all of these people in the
shoot. This is by far one of my strongest teams, ever.
The thing is, I usually do these kind of shoots on the end
of the year, but just the thought of breaking the rules, and shooting something
just sparks so much joy and light and delivering them through my sort of style,
it’s just all worth it. Now, let’s get down to the artistic dissection.
Goddess of fertility, mother to Persephone. A broken hearted
goddess as her daughter was kidnapped and raped to the underworld. Draped in
all green and lime, with a fertile backdrop as she nourishes her grasses.
Hooded in the divine portrayal, she wishes of the return of her one and only
daughter. In wrath to the sirens, she pours down all the water to feed her
greens. This all also portrays a goodbye of the soon-to-be-fall-then-winter
imagery.
I decided to embrace the womanly features from the leg. I
find so much meanings and messages behind just a slit dress with a leg shown.
There’s this sort of, elegance in an ethereal level that embraces the strong
female she is. To withstand all the heartache, just the whole feminism sort of
feeling. The equality many demand today, the idea of “boss” just, pops out on
my mind through this. She may be womanly with her plant-watering posture, but
she does it strongly with a divine, strong attitude
Goddess of Love, we’ve heard it all. From Botticelli’s Venus
to pop culture references, this Goddess right here is one of the most popular
ones. All dressed up in blue hues with a dragon/seahorse embroidery dress with
all might, and armored up with a beautiful, electric blue headpiece. She curves
up and allures sensually without needing to open up too much skin. The
see-through, the pearls, the seashells, it’s all about bringing the divine
imagery and the sexy to a boss-level.
With a sculptural nose and just so much going on in the
picture. There’s a power of sensuality that is just so beautiful here. The
original Aphrodite may have long brunette hair and is in a nude form, but this
one still screams Aphrodite. With all the seashells going on, with the jewels,
and the aura of the mermaid-like creature popping out from all the marine-esque
colors, here I present you, APHRODITE.
Goddess, a symbol of the return of Spring. Daughter to
Demeter. She was kidnapped to the underworld and had to marry Hades, the God of
the Underworld. Because she ate pomegranate seeds, she doesn’t have to stay
there all year long. Whereas the times she isn’t in the underworld symbolizes
the cold winter. Tangled up in spring colors, with divine jewels and a trace of
silver, she embodies the heartache the pastels present. The loss of Spring,
moreover, her absence from the nature, represented by the browning of the
leaves. Reaching for the light with all the finest jewels light can reflect.
A headpiece made of the finest gifts from springs she can
remember, as the sun slightly peers in, waving a sad goodbye as she announces
her return to the underworld. This ritual has formed a cycle men have to
overcome. The cold, sad winter where no crops grow, or where no greens, or
lavenders bloom. Where food is short, and where the days are cold. The days
where spring is lost to the underworld, as days are being counted down for the
arrival of Spring.
She may not be a Goddess, but she is the first mortal woman.
Sent by Zeus to earth with a box of evils, as a revenge to Prometheus bringing
fire back to the world, as she releases all the evil, letting hope to be a safe
haven. The curious fellow with a heart of lace, the stencil to cause the
disaster, as Zeus used this maiden as a tool. Dressed in all white with a
curious mind, a messy hair, and a crown of jewels.
A box of black, to deliver evil for the mortal. A messenger
of the Gods as a mortal. The very first woman. Pandora and her box. Swinging
upon the beautiful nature, slowly exposing the evils of the world to the fire
Prometheus granted to the world. To have it destroyed, to have it once again
stained as a punishment. With the fire pouring down the earth, the evil slowly
escapes the crocodile-skin black box.
The earth personified as a goddess. Wife of Uranus (Heaven).
Pretty much mother of all mothers. Mother Earth, Mother Nature, the divine
creature in a semi-slumber above earth’s strongest roots. Laying down with all
might, as she witnesses the nature blooming beautifully, the way the
floral-like structure glazes through her dresses, with an exquisite wooden
carving hung on her head like a bonnet.
She is the nature and the nature is her. She is the earth
and the earth is her. A maternal figure, a companion giving life to zillions.
Red, the color of her lips, pops a paternal feeling right out of her in a whole
new level. When skies are blue, she awakes and witnesses the day with a smile
representing the earth’s might and wonders.
A powerful goddess, wife and sister of Zeus. The queen of
heaven and the marriage goddess. She awaits love and compassion in marriage
from the balconies up above the heavens. She awaits and lingers onto a pillar.
Blonde ambition doesn’t seem to be the right word for it, a divine portrayal
seems to be the right one.
Lace and see-throughs, wedding veils and a melancholic look.
She maybe strong, but she seems to be misunderstood. She is stronger than her
own might. In all white, she awaits the peacock. In all white, she replays the
scenes of walking down the altar, awaiting the groom. Like the color cream
scattered around her, her strength never seems to lose it’s hue.
Goddess of Wisdom, Handicrafts, and Warfare. One of the
Olympian Goddesses. A warrior at heart. A beautiful, strong maiden physically. Here
we witness the portrayal of Athena and the horse. The patron goddess of Athens.
“She is often allegorized into a personification of wisdom”. She sits upon her
throne, warfare itself. Her warrior heart and the soul of the wild horse.
A feather bonnet as a symbol of true wisdom. A drapery
beautifully stitched with the might of the metallic studs and bling glamorizing
her up in the best warfare attire. She is ready for war, she is ready to
conquer with her gladiator shoes. The one with straps on, contrasting her
dress. Along with a sword liquefying itself to the very top of the skies. Upon
the garden of Athens, she departs to war. Feminist, war craft being led by
women who have more authority and wisdom compared to men.
Goddess of Wrath. Gives comfort to the ones with no home. A
perfect guardian angels to the old-time gypsy, and the new age caravan
hipsters. With a torch guiding with warmth. Symbolizing comfort and compassion.
Hope and passion. Fire – all of it’s might, it’s sensuality, it’s warmth, it’s
love, it’s disastrous purposes. It’s might to destroy or to save. The warmth we
human kind can never live without. The alternative sun in the middle of the
night.
Draped with the most exquisite embroidery. As the red lines
overlap to portray the warmth of the color red. To embrace the soul inside the
new age Hestia. The one with confidence and a warm heart. Maybe one of those
pop stars. In matching shoes. All jeweled up in the finest rubies. It all comes
down to one thing, the way all the glam, the warmth, and the passion can just
allure one into feeling better for all the things one can’t have. Comforting in
it’s most odd delicacies.
Goddess. A Huntress. Daughter of Zeus. Portrayed typically
with bows and arrows. Have special connections with the crescent moon and deers.
The perfect athletic/sporty type on the particular mythology. The Shapavora,
perhaps, of the myth. The female figure fond of hunts, the athlete running
through the dark woods in the particular crescent moon night with her deer
friends.
Gold as an unusual solvent, as a trademark depicted here. In
a huntress/warrior like figure, her figure shapes down the perfect imagery of
the strong woman. The feminist. The female who is able to move and hunt, and
survive like the stereotype obtained by strong men. A golden braid, a golden
bow, a golden dress, and a pair of golden heels. A golden huntress. A golden
depiction in the middle of the night attacking the ones against her. Hunting
through the night with her deers.
Goddess. In particular the female
personification of the night. Moreover, a connotation to the dark of the night.
The divine factor the night just embraces underneath the moonlight. The
unexplainable, tingling factor the mist of the night blows in with it’s
spiritual winds. The creatures roaming at night. The sensuality of the night.
The glam of the night. The religious aspect of it. The pitch black factor it
particularly posseses.
In Marilyn curls with a cross, and
a violet opal jewelry popping upon the embroidery roaming through the dark of
the night. The liquefied pillars representing the light giving the dark another
layer to perceive. The distortion happening in the night. The factor it just
pops for, pops through, and pops just half as much as it does in the daytime.
The divine figure the night gives, so enchantingly. So ethereal.
Here…Unions, I present you, one of
my best portfolios up to today. Bow Down to a Goddess. A collection of images
representing the women strength from every single aspect. Huntress. Beauty.
Sensuality. Wisdom. Maternal Love. Everything to withstand there mysterious,
sensitive characteristics. The divine characters possessed by the society these
days many never truly see. A portfolio representing these Goddesses. The Queens
who withstand the love they think….they deserve
THE PHOTOGRAPHIC SENSE
Bow Down to a Goddess
Photographed by Reinhardt Kenneth
Wardrobe: Diana Couture
Jewelry: Baroqco Jewelry
Hair/Make Up Artist. Jimmy Himawan
Model. Diana Filip
Stylist. Ninik @ Diana Couture
Props/Backstage. Dawi
i just... whoaaaaaa! this is my absolute favorite from all of your recent works!
ReplyDeleteLove,
Pudding Monster
This is really amazing! Though I must say some photos seem "off" and don't look like your usual style of shooting. But this is still a breathtaking editorial. I love the dresses made by your mom (and wondering if I can have any chance to wear them, ha!), they're just so beautiful... I love studying the Greek mythology, I've been trying to read Greek for the past few months but still can't get the entire point ;u; They have a really great culture with all the gods and goddesses myth. Thank's for taking it as your editorial theme this time, Kenneth! xx
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wowwwww bajunya kerennnnnnnn amat. tambah keren jg fotonya
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rimatambunan.blogspot.com
Now your photos look even more professional! Congrats on your effort!
ReplyDeletePablo
www.fungiexpress.com
oh-so-amazing shots!
ReplyDeletenice work, dude.
The Style Rebellion
this is a gorgeous project with a deep undertow towards the importance of mythology and female power. I checked the model's name and coincidentally she's a Diana, who is synonymous to Artemis: I think she personifies all types really well but indeed I love her as Artemis as I can see how good she works out her calves and she has this feminine strength over her. Also, I like how you portrayed the quintessential waiting wife type, Hera, as an incredibly seductive woman.
ReplyDeletethose photos are awesome!
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♥
Love the photos and how it embraces the power of a female into each picture in details. Keep inspiring people with your great astonishing work! Keep it up..
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AH-MAZING SHOOOOTT!!
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Mr. Rebel in Town